In/Out (Again)
Depicting a tilted aisle of repetitive office cubicles, the perspective of “In/Out Again” recalls the ceaseless machinations of the office environment. This composite photographic print depicts a nondescript space, streamlined for production with little regard for the inhabitants. The necessary conformity of these ordered compartments reflects a spatial realization of a dominant management philosophy, where tasks and goals outweigh the needs of individuals. The title alludes to circulations within these spaces, from the documents in a given inbox, to the turnover of the very employees inhabiting these cubicles. The washed out palette reflects the world as seen under fluorescent lights, in an environment where all too often employees are subjugated, condemned to processes of alienation, commodification and dehumanization all in the name of production.
Depicting a tilted aisle of repetitive office cubicles, the perspective of “In/Out Again” recalls the ceaseless machinations of the office environment. This composite photographic print depicts a nondescript space, streamlined for production with little regard for the inhabitants. The necessary conformity of these ordered compartments reflects a spatial realization of a dominant management philosophy, where tasks and goals outweigh the needs of individuals. The title alludes to circulations within these spaces, from the documents in a given inbox, to the turnover of the very employees inhabiting these cubicles. The washed out palette reflects the world as seen under fluorescent lights, in an environment where all too often employees are subjugated, condemned to processes of alienation, commodification and dehumanization all in the name of production.
Depicting a tilted aisle of repetitive office cubicles, the perspective of “In/Out Again” recalls the ceaseless machinations of the office environment. This composite photographic print depicts a nondescript space, streamlined for production with little regard for the inhabitants. The necessary conformity of these ordered compartments reflects a spatial realization of a dominant management philosophy, where tasks and goals outweigh the needs of individuals. The title alludes to circulations within these spaces, from the documents in a given inbox, to the turnover of the very employees inhabiting these cubicles. The washed out palette reflects the world as seen under fluorescent lights, in an environment where all too often employees are subjugated, condemned to processes of alienation, commodification and dehumanization all in the name of production.
